SPRING/SUMMER 2026 ‘RAÍZ SIN TIERRA’ FASHION SHOW
SPRING/SUMMER 2026 ‘RAÍZ SIN TIERRA’ FASHION SHOW
THIS COLLECTION REFLECTS ON ROOTS WITHOUT TERRITORY — IDENTITIES SHAPED BY MEMORY, MIGRATION, AND LIVED EXPERIENCE. CRAFTED THROUGH TRADITIONAL TECHNIQUES AND CONTEMPORARY CONSTRUCTION, RAÍZ SIN TIERRA HONORS ANCESTRAL KNOWLEDGE WHILE ALLOWING IT TO TRANSFORM, MOVE, AND EXIST IN THE PRESENT.
THIS COLLECTION REFLECTS ON ROOTS WITHOUT TERRITORY — IDENTITIES SHAPED BY MEMORY, MIGRATION, AND LIVED EXPERIENCE. CRAFTED THROUGH TRADITIONAL TECHNIQUES AND CONTEMPORARY CONSTRUCTION, RAÍZ SIN TIERRA HONORS ANCESTRAL KNOWLEDGE WHILE ALLOWING IT TO TRANSFORM, MOVE, AND EXIST IN THE PRESENT.

SPRING/SUMMER 2025 ‘MOONLIGHT’ FASHION SHOW
SPRING/SUMMER 2025 ‘MOONLIGHT’ FASHION SHOW
‘MOONLIGHT’ DRIFTS THROUGH THE STREETS OF SAN MIGUEL DE ALLENDE, WHERE THE NIGHT WHISPERS IN COLORS AND SHADOWS. FOR SPRING/SUMMER 2025, NEITHAN HERBERT CAPTURES THE QUIET ROMANCE OF THE MOON’S GLOW—AN INTERPLAY OF LIGHT AND DARKNESS, WOVEN INTO A COLLECTION OF SCULPTURAL SILHOUETTES AND DELICATE TEXTURES. EVERY PIECE TELLS A STORY OF DUSK SETTLING ON SUN-KISSED COBBLESTONES, THE AIR HEAVY WITH THE PROMISE OF SOMETHING TIMELESS. SOFT, FLUID, AND UNEXPECTEDLY BOLD, ‘MOONLIGHT’ IS A CELEBRATION OF CONTRAST, WHERE SIMPLICITY AND ALLURE DANCE UNDER A MEXICAN SKY.
‘MOONLIGHT’ DRIFTS THROUGH THE STREETS OF SAN MIGUEL DE ALLENDE, WHERE THE NIGHT WHISPERS IN COLORS AND SHADOWS. FOR SPRING/SUMMER 2025, NEITHAN HERBERT CAPTURES THE QUIET ROMANCE OF THE MOON’S GLOW—AN INTERPLAY OF LIGHT AND DARKNESS, WOVEN INTO A COLLECTION OF SCULPTURAL SILHOUETTES AND DELICATE TEXTURES. EVERY PIECE TELLS A STORY OF DUSK SETTLING ON SUN-KISSED COBBLESTONES, THE AIR HEAVY WITH THE PROMISE OF SOMETHING TIMELESS. SOFT, FLUID, AND UNEXPECTEDLY BOLD, ‘MOONLIGHT’ IS A CELEBRATION OF CONTRAST, WHERE SIMPLICITY AND ALLURE DANCE UNDER A MEXICAN SKY.

WOMENSWEAR DEBUT 2025 ‘ÑUKA SHUNKU’, MILAN FASHION WEEK
WOMENSWEAR DEBUT 2025 ‘ÑUKA SHUNKU’, MILAN FASHION WEEK
THE INSPIRATION OF MY 2021 READY-TO-WEAR THESIS COLLECTION CAME FROM THE CURIOSITY TO SEARCH INSIDE OF MY INDIGENOUS ROOTS, I WAS BORN IN ECUADOR AND RAISED IN MEXICO. IT IS A TRIBUTE TO MY MOTHER AND A CELEBRATION TO THE DIVERSITY INSIDE OF LATIN AMERICA. I FOCUSED A LOT ON THE DECONSTRUCTION OF THE TRADITIONAL SILHOUETTES TO THEN MIX THEM WITH CRAFT TECHNIQUES. THE SPIRITUAL ANIMALS ALSO PLAYED A BIG ROLE INTO THE COLLECTION, I FOUND THE PERFECT LINK BETWEEN TWO IMPORTANT MEANINGS INSIDE THE PRE-HISPANIC CULTURES, THE “TONA” (THE TRADITION BELIEVED BY VARIOUS MIDDLE AMERICAN INDIANS TO BE CAPABLE OF TRANSFORMING THEMSELVES INTO ANIMAL FORMS.) AND “NAHUAL” (A PERSONAL GUARDIAN SPIRIT OR PROTECTIVE ALTER EGO ASSUMED BY VARIOUS MIDDLE AMERICAN INDIANS TO LIVE IN AN ANIMAL OR LESS FREQUENTLY IN SOME OTHER EMBODIMENT.)
THE INSPIRATION OF MY 2021 READY-TO-WEAR THESIS COLLECTION CAME FROM THE CURIOSITY TO SEARCH INSIDE OF MY INDIGENOUS ROOTS, I WAS BORN IN ECUADOR AND RAISED IN MEXICO. IT IS A TRIBUTE TO MY MOTHER AND A CELEBRATION TO THE DIVERSITY INSIDE OF LATIN AMERICA. I FOCUSED A LOT ON THE DECONSTRUCTION OF THE TRADITIONAL SILHOUETTES TO THEN MIX THEM WITH CRAFT TECHNIQUES. THE SPIRITUAL ANIMALS ALSO PLAYED A BIG ROLE INTO THE COLLECTION, I FOUND THE PERFECT LINK BETWEEN TWO IMPORTANT MEANINGS INSIDE THE PRE-HISPANIC CULTURES, THE “TONA” (THE TRADITION BELIEVED BY VARIOUS MIDDLE AMERICAN INDIANS TO BE CAPABLE OF TRANSFORMING THEMSELVES INTO ANIMAL FORMS.) AND “NAHUAL” (A PERSONAL GUARDIAN SPIRIT OR PROTECTIVE ALTER EGO ASSUMED BY VARIOUS MIDDLE AMERICAN INDIANS TO LIVE IN AN ANIMAL OR LESS FREQUENTLY IN SOME OTHER EMBODIMENT.)